I just started blogging for the good folks at GalleyCat. And, as always, my personal site is loaded with content. Stop by both places and say hello!

It's been three years of non-stop content, and I just want to say thank you to everyone who kept this little writing community going. Until we return, the archives and comments are still open, so feel free to explore. Here is some of my favorite content from the past three years...

Up top, you have my video coverage of the 2007 National Book Awards. We'll be back there again this year.

Check out how Janice Erlbaum literally walked us through her memoir.

Screenwriter Allen Rucker taught us about writing for television, movies and memoirs.

Novelist DeLauné Michel showed us how acting can help your writing.

Richard Grayson explained how he used Print-On-Demand Publishing to save his novels.

Sam Douglas gave us Real Advice from a Real Fiction Editor.

Robert Boynton taught us How To Survive as a Freelance Writer.

Then watch Best Literary Friends Forever, a video featuring our special journalist guests, Kate Torgovnick and Joie Jager-Hyman.

Then there's journalist Jeff Gordinier explaining how he built his magazine writing career and wrote a book.

Don't forget when Jeffrey Yamaguchi Explained How To Write Your Book At The Dayjob.

And remember how Felicia Sullivan talked about her memoir.

Or when Novelist Ed Park showed us how to write office satire and really, really long sentences.

And Susan Henderson taught us How To Beat Writer's Block.

Then Jeff Gordinier Showed You How To Promote Your Book.

And finally, Tony D'Souza taught us The Fine Art of the Action Scene. 

Over at MediaShift, a New York University undergraduate journalism student Alana Taylor (studying, coincidentally, where I teach) wrote a critical essay about the online aspects of her education. Her essay was custom-built to stir up controversy (and boy, did it ever), but we should all check it out:

"[The professor] informs us that people actually get paid to blog. That they make a living off of this. For me this was very much a “duh” moment and I thought that it would be for the rest of the students as well. They should be fully aware at this point that blogging has become a very serious form of journalism. Furthermore, they should be aware that it is the one journalistic venture that requires little or no ladder-climbing."

Honestly, .0000001 percent of all writers actually support themselves completely online, and I am frank with all my students about that fact--and I give them suggestions about ways to cobble together more online experience with web writing, citizen journalism tools, and webby-videos.

Young writers are seeking answers to questions that won't be answered for another 50 years until after all the dust from digital publishing has settled. In the meantime, what's your advice to young writers? Chime in, and I'll collect the answers in a post this week.

The Bluestocking book blog has a great post about poet Billy Collins and his poem-a-day project for high school students. There's an inspiring collection of poems on that website, they can turn your writing upside down if you read them carefully.

Don't believe me? Try it yourself. Here's a line from Herd Of Buffalo Crossing The Missouri On Ice by poet William Matthews. These images will boggle your brain:

“If dragonflies can mate atop the surface tension / of water, surely these tons of bison can mince / across the river”

Out of the millions of book blogs and writing-help websites, you have to dig pretty deep to find practical advice. Luckily, Joshua Henkin, author of Matrimony, is once again guest blogging on Mark Sarvas's site. Tune in every day for his straight-ahead thoughts:

"I'm always reminding my students to vary their cadences, that too much repetition is numbing. They'll give me a sentence with three great images, but what they don't understand is that those images are competing with each other and are therefore lessening the effect of the sentence: too much meat in the can and you get Spam"

And, if the hunt for meat and Spam is driving you mad, you might need a drink. If you need help with that, the New York Post has a great article about writers and booze, complete with some tasty cocktail recipes.

Publishing Spot alum Janice Erlbaum (you can find out more about her memoir in that video) weighed in with this tasty beverage:

"The key lime martini; it's vanilla vodka with lime juice and a little cream. Some places will even put a graham cracker crust around the rim ... I have a sentimental attachment to it. But I also have a taste-bud attachment. It's girlie, and I like that in a drink. The glass balances so elegantly in one's little fingers. The drink is twee, but writers are twee, so I'm allowed."

Novelist Ed Park--meet him at The Publishing Spot Library--is exploring one-post blogs. It's haunting to check out these lost sites that began and ended on the same day. Check it out:

"Blogs that only lasted for one post, #1: Time for a Midwestern Culture Shock."

On the other side of the coin, novelist John Scalzi is revisiting ten years of amazing content on his blog. This essay comes from very early in his writing career, a reminder to all fledgling writers about what it takes to succeed. Check it out:

"I try to be honest with myself regarding “working on the novel.” If I’m actually writing, then I’m working on the novel; if I’m not writing, then I’m not working on the novel ... If you want to write a novel, don’t “work” on it — write the thing."

Until five minutes ago, I hadn't pondered the question. But now, I'm convinced that it is one of the most useful questions a newly-published writer can ask themselves.

The excellent Book Publicity Blog answered that question today, in a post chock-ful of journalist interaction wisdom. Check it out at this link.

As a journalist who has interviewed countless writers, I love it when a writer and I understand each other going into the interview. This bit of wisdom from Publicity Hound is priceless:

"If you don’t know the reporter personally, Google their name and see what you find. If the reporter blogs, read the blog!"

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Literary blogger Sarah Weinman unpacked a Variety story about how CSI creator Anthony Zuiker just landed an expensive book deal with Dutton, as the article explains, to create "a publishing hybrid that broadens traditional book reading into a multiplatform experience that includes filmed components and an interactive social networking site."

Myself, I'm excited to see what happens when digital book readers, web video, and writers finally collide. While this might not be the project that succeeds, eventually, somebody will figure it out. Weinman's readers were mixed, to say the least.

Crime writer Bill Crider sarcastically noted the lazy beauty of the book deal: "And think of it: seven figures for three books, for which Mr. CSI has only to write 60-page outlines."

Novelist Karen Olson worried about what this novel means for books: "Do we want kids to grow up not able to read a 250 page book without some sort of video stimulation? That's really sad."

One poster added a prediction: "I bet my life that in 12 years, the traditional publishing industry (as we know it) is a ghost - there will be event books, and there will be goofs who self-publish, and everything else will be some techno hybrid."

Over at the Poet's Market blog, they have a fake author biography contest running until September. Check it out: "since we just recently released the 2009 Poet's Market, I can offer that up as a prize to whoever writes the best fake bio. You can make your bio funny, outrageous, horrible, seriously intense, etc. Just keep it under 100 words (hey, most publications cap it off at 50 words)." (via Practicing Writer)

How much should a great book cost? Edward Champion has some good reporting on the subject, along with breaking news about an upcoming William T. Vollmann book.

Look out for Justin Theroux. Besides starring in two of my favorite mind-bending films -- Inland Empire and Mulholland Drive -- he's also a budding scriptwriter. The Script Reader blog has a breathless feature about the man who could singlehandedly kill the skinny-neurotic-loser-screenwriter stereotype. Dig it:

"If you haven’t been following actor Justin Theroux’s bourgeoning screenwriting career, he co-wrote Tropic Thunder and recently signed up to write the Iron Man sequel. While this is good news for Justin Theroux, I think it’s even better news for screenwriters ... I smell an opportunity…to re-brand." (image via WireImage.com)

At the L.A. Times this weekend, Tod Goldberg wrote an ode to the fine art of tie-in writing. Check it out: "My brother had long regaled me with the sales numbers he'd racked up with his "Diagnosis Murder" and "Monk" books -- each selling roughly what all of my books have sold, combined -- and how his tie-ins had dragged along his other books too." (Link via Ron Hogan)

The Publishing Spot has been on this beat for years. Novelist Christa Faust stopped by awhile back, and taught us How To Find Work Writing Tie-Ins.

Follow these links for more tie-in action. After that, Faust also explained how she Novel-ized Snakes on a Plane

and How To Sell Wild and Crazy Novel

and How Blogging Helps Novelists

and finally, some Hardboiled Links from a Hardboiled Writer.

The excellent Script Reader blogger this essay about the awful glut of science fiction scripts they read on a regular basis. Inspired by the mediocrity, one reader created an Aliens or Predator computerized science fiction script pitch letter generator. Read it and weep:

"the entity shows itself to be a terrifying alien shaped like a huge, grotesque version of a vagina with a acid-filled mouth."

If you are inspired by those laughable taglines, you simply must enter the Worst Storyline Ever contest at brilliant Guide to Literary Agents blog. You only have a few more days to enter, but how can you not write something beautifully bad like this:

"After the death of his goldfish, a priest renounces his faith and gets a job at the local White Castle, where he becomes addicted to special sauce and tries to dance his way to getting respect on the streets."

Most importantly, laugh at all these lines, but use these clichés and jokes and baaad writing examples to purge the nonsense out of your own agent pitches. To that end, read Chris Webb's book proposal advice. Happy reading...

The Write To Done website is inviting practicing writers to actually interact with commenters in a sort of Comment Section Writing Workshop. It's a great idea, and I hope it works.

Here are a couple comments from some brave writers who stepped up to the plate. Read the whole article here.

First of all, Writer Dad weighs in with a problem that affects my own writing sometimes: "My writing can be a bit too enthusiastic. I get giddy with the words, and sometimes don’t allow ideas to breathe."

Dave Navarro is looking for some guidance on his eBook, looking for advice for "first-time self-improvement authors."

Welcome to Dueling Comments, where I print my favorite comments that I've spotted in publishing blogs. There are some smart people lurking in the comments sections of blogs, so I'm scrounging around the Internets to find the crazy, the useful, and the crazy-useful wisdom that they leave behind.

What music do you listen to when you write?

Like I said yesterday, I'm guest-blogging over at the music site Gimme Tinnitus, and I'd love to include some of your favorite songs. Drop me a line about your favorite writing music.

In the meantime, check out these music themed writing goodies: Up top, I included a web video I made of Peacock's Penny Arcade, a rock band staffed by writers, playing at the PEN World Voices Festival this year.

And then, last year, I interviewed Willy Vlautin (lead singer of Richmond Fontaine), who is also the author of the dark road novel, The Motel Life. You can see my interview with him at this link.

On a completely unrelated, but equally important note, Edward Champion just interviewed novelist Paul Auster on The Bat Segundo Show #231. Paul Auster! 

Have you ever read John Berryman's poetry? Half of the indie rock songwriters in the world have been reading his stuff, and you should too. Berryman wrote ragged, emotional poetry, breaking rhyme scheme and rhythm rules in the most amazing ways.

Here's Nick Cave & The Bad Seeds wailing about writing and postmodernism and John Berryman's suicide. We Call Upon The Author (track via Snuh's LiveJournal).

Of course, The Hold Steady needed to talk about Berryman too. Here's a live version of "stuck between the stations," punctuated by the amazing line: "There was that night that we thought that John Berryman could fly. / But he didn't so he died" (track via Captain's Dead)

Finally, here's Okkervil River riffing off the Beach Boys and singing about John Berryman's last days. It's called John Allen Smith Sails, and was one of my favorite songs last year. Go to the band's website for much, much more.
(track via Mixtape 4 Melfi).

I'm not the only person who thought about this. Brandon Stosuy wrote an essay about The Hold Steady and Berryman, called, excellently enough, How a Resurrection Really Feels.

That's a video of thriller novelist Jason Pinter reading from his new book, The Stolen. Pinter has three suspenseful novels under his belt, following the hardboiled adventures his fictional journalist, Henry Parker.

Today, for the conclusion of his exclusive visit to The Publishing Spot, he explains how to write crackling dialogue--one of the toughest tasks facing any thriller writer.

Welcome to my deceptively simple feature, Five Easy Questions. In the spirit of Jack Nicholson’s mad piano player, I run a weekly set of quality conversations with writing pioneers—delivering some practical, unexpected advice about web writing.

Jason Boog:

Jason Pinter:
When I'm revising my novels, I actually read the dialogue out loud to myself. Continue reading...

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